![]() ![]() ![]() Compare:Ī settlement was made with Mr Dixon and he now has a song writing credit with Led Zeppelin. Robert Plant's lyrics were based on a 1962 Willie Dixon song sung by Muddy Waters. The booming sound was achieved by placing the drums on a high platform and placing microphones in unusual places: one was eight feet above the kit, two distant side microphones, and one placed two feet from the bass drum. Jimmy Page produced the track, which was recorded in a studio with 28-foot ceilings. The drum sound was huge and laid a platform for the rest of the track. "Whole Lotta Love" was the opening track of "Led Zeppelin II" It has a huge sound and lascivious lyrics and it entrenched the band as one of the world's most popular at the the time. When this song went to top spot in the US, The Supremes became the first Motown act to have two number one hits. Motown Head, Berry Gordy did not consider that Diana Ross had a big voice but according to Gordy, she could "Oooooh" like nobody else, as she had done on on "Where Did Our Love Go." The first version recorded did not feature any oohing so Gordy sent the team back to re-record the song, where Ms Ross did an extended "ooh-ooh-ooooh-oooooh" to start the song. "Baby Love" was the second of five consecutive hits that went all the way to number one, the remaining three were, "Come See About Me," "Stop! In the Name of Love" and "Back in My Arms Again. As the first song mentions the word "baby" 68 times, the same song-writing team of Holland-Dozier-Holland thought it best that their next single had that word in the title. "Baby Love" was the sequel to "Where Did Our Love Go," which was The Supremes' breakout hit which reached number one on the Billboard Hot 100. Unlike his rockier numbers, this song was a tender ballad. From advance orders, they knew they had a big hit as it went to number one on the Billboard Hot 100. Elvis sang it on the "Ed Sullivan Show", weeks before the song and movie were released. Taking that song's melody, Darby and Elvis worked up the song on set, recording it on a soundstage with session musicians on August 24, 1956. ![]() He found "Aura Lee," a traditional piece from 1861. Musical director, Ken Darby, explored songs from that era to adapt for Elvis. His character is killed at the end of the movie, but Elvis re-appears to reprise the song. Originally, Elvis had just a small role in the movie, but during filming it became apparent that he was a really big deal, and his role was expanded to take advantage of his stardom. Consequently Elvis's role in the movie, originally a small part, was expanded because of the success of the song. This was a song written for the movie, "The Reno Brothers" but the movie was renamed the same as this song to capitalise on the success of the song. ![]()
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